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"Cuentos Completos" by Antón Chéjov (Anton Chekhov), Aguilar Edition, Third Printing 1962
Book
A leather-bound book in the classic Aguilar publisher's house style of mid-twentieth-century deluxe omnibus editions of world-literature classics containing the complete short stories of Anton Chekhov in Spanish translation. Third edition, 1962. Maroon/burgundy textured leatherette binding with elaborate gilt-stamped decoration including an oval portrait vignette of Chekhov on the cover and a geometric chevron pattern on the spine. A red ribbon bookmark is sewn into the binding. DESCRIPTION: BINDING: Dark maroon / burgundy textured leatherette (likely faux-leather or "skivertex" — the standard Aguilar mid-century binding material; possibly real leather in some printings) covering both the front and back boards and wrapping around the spine. The binding has a distinctive pebbled / grained surface texture characteristic of mid-century Spanish bookbinding. FRONT COVER: An elaborate gilt-stamped design on the maroon ground: - An oval cartouche / vignette in the center of the cover, gilt-stamped with the portrait of Anton Chekhov (an image based on a well-known photographic portrait of Chekhov from the 1890s–early 1900s) - "Antón Chéjov" curving above the portrait in gilt script - "Cuentos Completos" curving below the portrait in gilt script (a curved ribbon-banner motif) - A decorative gilt rectangular frame border around the cover perimeter - Subtle gilt corner ornaments SPINE: Gilt-stamped lettering "ANTÓN CHÉJOV" at the head, with "CUENTOS COMPLETOS" below, followed by two small stars (**) indicating either the volume number in a multi-volume set OR an Aguilar series designation. A decorative geometric chevron / herringbone pattern in gilt covers the middle portion of the spine. The Aguilar publisher's logo appears at the foot of the spine, with "AGUILAR" lettered below it. RIBBON BOOKMARK: A red silk or rayon ribbon bookmark is sewn into the head of the book EDGES: Gilded , characteristic of the Aguilar deluxe-edition format.
"Cuentos Completos" by Antón Chéjov (Anton Chekhov), Aguilar Edition, Third Printing 1962
"Cuentos Completos" by Antón Chéjov (Anton Chekhov), Aguilar Edition, Third Printing 1962 - Image 2
"Cuentos Completos" by Antón Chéjov (Anton Chekhov), Aguilar Edition, Third Printing 1962 - Image 3
"Cuentos Completos" by Antón Chéjov (Anton Chekhov), Aguilar Edition, Third Printing 1962 - Image 4
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Purchased by Leopoldo Arús Gálvez at the Habana Libre Hotel bookstore in Havana during the 1960s.
The Cabrera Arús family collection
Leopoldo Arús Gálvez collection
2025.1
Cover (gilt-stamped): - "Antón Chéjov" (curved above portrait) - "Cuentos Completos" (curved below portrait) - Portrait of Chekhov in oval cartouche Spine (gilt-stamped): - "ANTÓN CHÉJOV" (head) - "CUENTOS COMPLETOS" (middle) - "* *" (two stars — volume/series mark) - Aguilar publisher's device + "AGUILAR" (foot) Interior (not visible in these views): edition statement ("Tercera edición"), publication year (1962), place (Madrid), translator(s), series designation, copyright information. Language: Spanish (the text block); the only visible markings are in Spanish.
Anton Chekhov
Madrid
Spain
Europe
1962
Good
Leopoldo Arús Gálvez
owner
Aguilar
publishing house
Havana
Cuba
Caribbean
Central America
purchase
Madrid
Spain
Europe
edition
The Habana Libre Hotel — originally the Habana Hilton — opened in March 1958 as the largest hotel in Latin America at the time, with 630 rooms and ultra-modern American-style amenities. Fidel Castro famously took it over as his personal headquarters during the first weeks of the Cuban Revolution in January 1959, and the hotel was nationalized soon after and renamed "Habana Libre" (Free Havana). The hotel's ground-floor bookstore became, throughout the 1960s and beyond, one of the most important retail bookstores in post-1959 Havana — carrying both Cuban-state publications (from Editora Nacional, Imprenta Nacional, Casa de las Américas, etc.) and imported Spanish-language books (Aguilar, Alianza Editorial, Anagrama, Fondo de Cultura Económica, etc.) for both Cuban customers and the international visitors (diplomats, journalists, conference attendees, technical advisors) staying at the hotel. The Habana Libre bookstore was particularly important as a venue for Spanish editions of world literature reaching Cuban readers during the early-to-mid 1960s, before the gradual contraction of Western book imports under the deepening US embargo.